Architecture by Oscar Niemeyer

 

 
oscar-niemeyer-brazilian-architect-chicquero-design-bras_025

 

oscar-niemeyer-brazilian-architect-chicquero-design-center

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-paul

 

oscar-niemeyer-brazilian-architect-chicquero-design-mac-_003

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_013

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_002

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_018

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_016

 

oscar-niemeyer-brazilian-architect-chicquero-design-espace

 

oscar-niemeyer-brazilian-architect-chicquero-design-espace-2

 

oscar-niemeyer-brazilian-architect-chicquero-design-itam_002

 

oscar-niemeyer-brazilian-architect-chicquero-design-itamarat

 

oscar-niemeyer-brazilian-architect-chicquero-design-justice

 

oscar-niemeyer-brazilian-architect-chicquero-design-palazzo-

 

oscar-niemeyer-brazilian-architect-chicquero-design-senate

 

oscar-niemeyer-brazilian-architect-chicquero-design-egg-muse

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_011

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_012

 

oscar-niemeyer-brazilian-architect-chicquero-design-library-

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_015

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_023

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_024

 

oscar-niemeyer-brazilian-architect-chicquero-design-brasilia

 

oscar-niemeyer-brazilian-architect-chicquero-design-ital_002

 

oscar-niemeyer-brazilian-architect-chicquero-design-mac-art-

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_004

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_008

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_009

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_010

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_006

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_005

 

oscar-niemeyer-brazilian-architect-chicquero-design-rio-de-j

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_005

 

SA/NIEMEYER

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_026

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_003

 

oscar-niemeyer-brazilian-architect-chicquero-design-spain-in

 

oscar-niemeyer-brazilian-architect-chicquero-design-tower

 

oscar-niemeyer-brazilian-architect-chicquero-design-sao-_007

 

oscar-niemeyer-brazilian-architect-chicquero-design-three-po

 

oscar-niemeyer-brazilian-architect-chicquero-design-bras_019

 

oscar-niemeyer-brazilian-architect-chicquero-design-tv-tower

 

 


Architecture by Oscar Niemeyer


“I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein“. Oscar Niemeyer


Oscar Ribeiro de Almeida Niemeyer Soares Filho (December 15, 1907 – December 5, 2012), known as Oscar Niemeyer (Brazilian Portuguese: [ɔʃˈkaʁ ˈniemajeʁ]), was a Brazilian architect who is considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasília, a planned city which became Brazil’s capital in 1960, as well as his collaboration with other architects on the United Nations Headquarters in New York City. His exploration of the aesthetic possibilities of reinforced concrete was highly influential on the architecture of the late 20th and early 21st centuries.

Both lauded and criticized for being a “sculptor of monuments”,Niemeyer was praised for being a great artist and one of the greatest architects of his generation by his supporters.He said his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this “didn’t prevent [his] architecture from going in a different direction”. Niemeyer was most famous for his use of abstract forms and curves that characterize most of his works.

Born in Rio de Janeiro, Niemeyer was schooled at the city’s Escola Nacional de Belas Artes, and after graduating worked at his father’s typography house, as well as as a draftsman for local architectural firms. In the 1930s, he interned with Lúcio Costa, with the pair collaborating on the design for the Palácio Gustavo Capanema in Rio de Janeiro. Niemeyer’s first major project was the design of a series of buildings for Pampulha, a planned suburb north of Belo Horizonte. His work, especially on the Church of Saint Francis of Assisi, received critical acclaim, and drew Niemeyer international attention. Throughout the 1940s and 1950s, Niemeyer became one of Brazil’s most prolific architects, designing a range of buildings both within the country and overseas. This included the design of the Edifício Copan (a large residential building in São Paulo), and a collaboration with Le Corbusier (and others) on the design of the United Nations Headquarters, which engendered invitations to teach at Yale University and the Harvard Graduate School of Design.

In 1956, Niemeyer was invited by Brazil’s new president, Juscelino Kubitschek, to design the civic buildings for Brazil’s new capital, which was to be built in the centre of the country, far from any existing cities. His designs for the National Congress of Brazil, the Cathedral of Brasília, the Cultural Complex of the Republic, the Palácio da Alvorada, the Palácio do Planalto, and the Supreme Federal Court, all completed by 1960, were largely experimental in nature, and were linked by common design elements. This work led to his appointment as inaugural head of architecture at the University of Brasília, as well as honorary membership of the American Institute of Architects. Due to his largely leftist ideology, and involvement with the Brazilian Communist Party (PCB), Niemeyer left the country after the 1964 military coup, and subsequently opened an office in Paris. He returned to Brazil in 1985, and was awarded the prestigious Pritzker Architecture Prize in 1988. A socialist and atheist from an early age, Niemeyer had spent time in both Cuba and the Soviet Union during his exile, and on his return served as the PCB’s president from 1992 to 1996. Niemeyer continued working at the end of the 20th and early 21st century, notably designing the Niterói Contemporary Art Museum (1996) and the Oscar Niemeyer Museum (2002). Over his long career he designed approximately 600 projects. He died in Rio de Janeiro on December 5, 2012, at the age of 104. (Via wikipedia)


Don’t forget to follow Archdezart on Facebook + Twitter to get all the latest updates


Did you like this? Share it:

Related posts:

Parametric Design Studies on Novel Interiorities for Existing Structural Systems / 0RN8
Shoreham House | SJB Architects
The Fobe House | Guilhem Eustache
Kew House 3 | Vibe Design Group
Casa G | Gudmundur Jonsson Arkitektkontor
Dancing Dragons | Adrian Smith + Gordon Gill
House H | Sharon Neuman Architects
C1 House | Dettling Architekten
Holman House, Sydney, Australia | Durbach Block Jaggers
House on the Cliff in Calp, Spain | Fran Silvestre Arquitectos
Sycamore House in California, USA | Kovac Architects
The Kibuts House | Sharon Neuman Architects
Family House in Bento Gonçalves, Brazil | Studio Paralelo
House in Thisio, Athens | Minas Kosmidis
KM House in Argentina | Estudio Pablo Gagliardo

Leave a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Facebook

Likebox Slider Pro for WordPress